#Tomb raider lara croft evolution full#

The island itself is emerging as a character in its own right as Tomb Raider nears release. ItвЂ™s almost like the island is causing some kind of madness in them there are definitely flashes of Lost-style, mysterious danger about the place. вЂњThe exact nature of these mysterious adversaries still isnвЂ™t clear at this point, except that theyвЂ™re well-equipped, extremely antagonistic and evidently deeply, religiously involved with some ancient, blood-sacrificial island beliefs. Tomb RaiderвЂ™s action is impressively free-flowing LaraвЂ™s movement feels unrestricted and natural, and she crouches naturally behind cover or presses herself against walls unobstructed by awkward button-based cover mechanics.

#Tomb raider lara croft evolution full#

ItвЂ™s full of militia, as aggressive as they are numerous вЂ“ Lara has to shoot her way through. The journey leads into the gameвЂ™s first big action sequence, as Lara makes her way into a kind of underground base at the foot of the tower. Part of whatвЂ™s important there is to feel that growth of characterвЂ¦ the growth within the hub is a reflection of the power dynamic changing between Lara and the island.вЂќ Pick-axe in hand, Lara sets off in the midst of a raging storm towards a radio tower barely visible at the top of the mountain, hoping to send out a distress signal. вЂњYouвЂ™ll be able to access nooks and crannies that you couldnвЂ™t get to before, but it also opens up whole new sections of the hub. вЂњWe always try to bring you back to a hub with a new piece of gear,вЂќ explains Hughes. You encounter the first hub вЂ“ a night village of tall, ramshackle, abandoned wooden buildings leading up a mountain trail вЂ“ in the dead of night during a rainstorm, but when you come back in the bright morning light later on itвЂ™s suddenly not so imposing. LaraвЂ™s path isnвЂ™t entirely linear, though the story is strictly directed вЂ“ she criss-crosses around the island, letting you get to know it as if you were treading it yourself. These bits of equipment gate Tomb RaiderвЂ™s island paradise, letting you return to places youвЂ™ve seen before and discover new parts of them. And she always struggles with that.вЂќ After being reunited with an injured Roth, Lara gets an important piece of adventuring kit: a climbing pick-axe that lets her scale rough rock faces. She doesnвЂ™t quickly go from not wanting to kill to wanting to kill she goes from not wanting to kill to forced to kill.

The challenges make her become who she will become one step at a time, and thatвЂ™s not all about killing people. вЂњWe try to challenge Lara emotionally in other ways, and as we get into later aspects of the game we challenge LaraвЂ™s core belief system. вЂњвЂњIt continues but takes a back seat to other transitions that Lara has to make,вЂќ says Noah. After the hardcore trials of her day on the island, where she sees a friend killed, fights off wolves and learns to kill herself, a lot of that melts away, and she starts to emerge as the Lara we know. ItвЂ™s not overdone, though вЂ“ nor is the vulnerability that Lara shows in the gameвЂ™s opening few hours. вЂњWe donвЂ™t have to do this!вЂќ, she shouts ineffectually, hiding behind cover. Our hope is that we get to the pace of gameplay that feels appropriate, but it should feel like a motivated transition вЂ“ if a bit accelerated.вЂќ Lara does indeed try to talk the militiamen down. They make it very clear that it is a kill or be killed situation. She even tries to talk down the enemy combatants, but theyвЂ™re not having any of that.

вЂњLara does need to cross a line, but you see her struggle several times with staying across it. We donвЂ™t want every kill to be the first kill,вЂќ he says. вЂњThe central answer is that we try to make all of LaraвЂ™s actions feel motivated. Creative director Noah Hughes is as aware of the potential contradictions here as anyone, but he feels that LaraвЂ™s quick adaptation makes sense. YES NOItвЂ™s not exactly a gradual transition, then, but itвЂ™s not a ridiculous one either.